WS 503 Erotic Storytelling

Listen to “WS 503 Erotic Storytelling” on Spreaker.

 

WS 503 Erotic Storytelling

 

There are few other endeavors in human history as central to human life as storytelling. Learn how we use stories to build intimacy and connection, and how absolutely vital that connection between us all is! There are some basic structures that stories fall into, and that you can use when telling your own dirty stories. From the basic three act structure to some tips about exactly how to get the most bang from your erotic buck, Ms Harper has the tips and information for you.

 

(0:06 – 1:09)
It’s show time! You know, if you join the Enchantrix Empire Discord, you can hang out, right, in the server, and you can get notified when the live events start kicking off as a tour. For example, it’s Whore School time. There.

If you clicked on the event tab and said that you were interested, you just got a notification that, hey, the event is starting. Isn’t that great? So clever. Like, ermigird.

We’re gonna talk about erotic storytelling tonight. You know, for funsies, because I put it in my planner, and apparently once I write some shit down, I’m like, yes, this is what we’re doing. We’re doing this.

That’s the thing. Erotic storytelling. Erotic.

(1:10 – 1:17)
Alright, let’s start off with storytelling. Human beings tell stories. All the fucking time.

(1:22 – 2:52)
Sorry. So if you join Enchantrix Empire, you go to discord.gg slash Enchantrix Empire, you can join the server. We have podcasts every single day of the week.

Monday, you do not get a live podcast. But every other day of the week, there’s a live show that happens in the server. I don’t know why you wouldn’t join us.

There’s K. Marie, Constance, Hunter, Femdom Fridays, and Miss Krista’s Kinks and Drinks. So. Fucking duh.

Come on, join us. Every day, there’s something awesome. There’s also Kinkology, the psychology of kink is pre-recorded.

It drops on Fridays and the weekly hotspot on Mondays. So every day, there’s something awesome. Plus, we have blogs.

You should come and read all of the blogs. So far, I’ve got Miss Addie has joined me, Come Eating Man, Eddie, Goddess’s Little Giggle Slut, Jizzhead, Callie the Sweet Girl, and Poovaran. Hey, Poovaran.

Poovaran. Poovaran, Poovaran, Poovaran. However the hell we’re supposed to say your name.

Nobody knows. I know you told me earlier. Giggle says, you know, this is going to be a good one when the starting point is the general concept of storytelling.

(2:55 – 3:27)
Look, I’m a giant nerd. I don’t know if you guys, dear audience, were aware of this fact. But I’m a nerd.

I am. I’m sorry. It’s terrible.

I’m a huge fucking nerd. So storytelling. This ties directly, by the way, into last week’s episode about AI and human connection.

(3:28 – 4:45)
There was an entire section that got left out last week about the need for human connection and how the use of AI is alienating us from one another and preventing people from getting that connection. Literal, literal human interaction that we need in order to be, you know, sane, healthy human beings. So just take that as read.

There was also going to be a two-minute subsection on why solitary confinement is cruel and unusual punishment. And I had links to prove it. But I went too hard on the environmental devastation aspect.

So whoops. My bad. Hey, prisoner.

Prisoner de Camarie has joined us tonight. Kali in the chat said, alternative name of the podcast, The Kinky Nerd Club. Pretty much.

Yeah. We’re, we’re all nerds here. Everybody’s a nerd.

(4:46 – 7:54)
That’s fine. We’re allowed to be nerds. Did that not post? You little fucker.

I was checking to make sure that all of my, you should listen, listen live, listen live, listen live. One of them did not post. You little bitch.

Yeah. Google says solitary confinement was developed by the Quakers of all people, specifically to give criminals time to read the Bible and repent. And I wish that detail was made up.

Yeah. And the Quakers regret having made that up. It was supposed to be solitary contemplation.

And it was never supposed to be for as long as people wind up getting stuck in the hole. And they were ideally supposed to have access to reading material, which is very much not the way that solitary confinement is done, especially in the US. You’re stuck in there with nothing.

Nothing. It’s terrible. So boo.

Anyway. So storytelling comes directly on the heels of AI and the need for human connection, because storytelling is one of the major ways that humans connect. See? See? One plus one equals two.

Okay. AI stops people from telling stories. Instead of you exercising your creativity to make up a story and tell it to people.

Instead, the AI steps in and says, Oh, here, I’ll regurgitate a story for you. And you don’t even have to work at it. Now, it really does seem as though for tech bros, in particular, the use of generative AI is appealing, precisely because they don’t have to put forth the work and the effort to get to the end product.

They miss the part that the process of creating something is the point, not the thing that is created. Hey, Miss Becky’s limp sissy. has joined us tonight.

Just just fabulous names, fabulous names all over. Love that. Okay, so let me reiterate.

The process of creating is the point, not the thing that is created. Okay. Ideally, we’re not getting too deep on into materialism here, where the whole point of creating a thing is to have the thing.

That’s just, that’s just materialism. That’s just capitalism, even. You create the thing so you can sell the thing so you can get some money.

(7:55 – 10:04)
Right? The process of creating it is devalued under capitalism and in a materialist worldview. But before capitalism became the dominant economic system under which we all are squished, before that, when we lived in interconnected communities, where people would work together, and do stuff together, the process of creating the thing was also valued. Not just having the thing at the end.

Right? Google said I genuinely heard a tech bro talk about how AI music generating tools is good because, oh, the chat scrolled, good because people don’t typically enjoy the process of writing and creating music. And I was like, what? Yeah. Yes.

Yes. The reason why AI music doesn’t seem to have a soul is because it doesn’t. It doesn’t.

And he said, but I like the thingies. You know, sometimes having a thingy is really cool, but which would you rather have? A 3D printed AI generated piece of bullshit? Or something that somebody made because they were thinking about you and they made a thing custom special just for you? Which one’s got more value? One of those, the process of making the thing was the point. The other one.

Yeah, sure. I can download a AI generated file and print it on my 3D printer. And there you go.

Now you have some plastic. Good job. Poovoran said it’s results oriented rather than process oriented.

(10:06 – 10:43)
And Giggle said, maybe my brain is the weird one. Because the process of creating things, at least for me, is a means to bring into the world things that don’t exist, but I think would be really cool. Yet I have not enough talent to do that.

That being said, I still refuse to use AI. Oh, Abby says I never heard AI music that I was aware of. Some of it is creepy and actually kind of catchy.

There’s a lot of it. There’s a bunch. It’s on all of the streaming sites.

(10:44 – 14:46)
It’s terrible. I’ve heard AI music. I got tricked by an AI artist because I was like, wow, this is really catchy.

I really like it. It sounds kind of familiar, though. Must be an artist that I’ve heard at some point.

No, no, it was AI. And it was mimicking another artist that I actually liked. Poopers.

Addie said, I appreciate thingies other people created, but I don’t like making the effort myself. I would generally be so happy if I could just have magic powers and just conjure stuff. Well, then the process that you want is the magic powers part.

So I crochet, which has got to be the slowest possible way to make lace on the planet. Knitted lace is much faster. Knit is much faster, just in general.

But I do crochet. I do some super hyper complex crochet projects because I like the fact that it takes fucking forever and that you have to know what you’re doing. It is an exercise of skill and I enjoy the process of it very, very much.

Like if I make something crochet and give it to somebody, they better also fucking appreciate the process that went into that. I’ll be like, this took me a month and a half to make. Yeah.

All right. So storytelling. Before mass media, before television, before movies, do you know how people entertained themselves? They told fucking stories.

They sat around and they told stories to each other. Addie says theater. Before there were even professional storytellers, like there were always bards.

There were always musicians. There were always people who would travel around and be like, I’m really good at this because I spent multiple years practicing and getting really good at it. So like a professional storyteller who knows a whole bunch of stories and would do all the voices and make sound effects, who could travel around and be like, and now gather round, I’ll tell you a tale.

There are always those, but then the professionals would leave. And what do you do the next night? Right? How do you entertain yourself? You sit around, you tell stories with each other. It is quintessentially a human behavior to tell each other stories.

To tell a story is both to entertain and also to lie. People who are storytellers are liars. They make shit up.

They tell you an entertaining fib, a fable, a story, a tale. They lie to you, which is kind of fun. If you’ve ever been camping with a bunch of nerds with no cell service, everybody sits around the fire and you tell stories, you gossip.

Oh yeah. Well, this one time I heard about, you want to have an awful lot of fun. Go hang out with a whole bunch of really weirdo nerds and ask any of them if they’ve ever seen an alien or Bigfoot.

(14:47 – 14:55)
You will get some stories. Tell me your ghost stories. That’s some good shit right there.

(14:55 – 15:28)
That is A plus excellent stories. And then of course we return once more to my permanent theme for Whore School. Human beings are great apes.

We are horny all the time. Think of a song. What are the odds that song is about sex? Shockingly high.

(15:30 – 16:53)
There are some songs that are not about sex. For example, most of John Denver’s songs are not about sex. Leaving on a Jet Plane, not about sex.

Rocky Mountain High, not about sex. Some of them are about sex. Some artists are notorious for writing songs about sex.

Pretty much everything Prince, or the artist formerly known as Prince, ever wrote is dreadfully dirty, in the best way. Giggle Slut said, 50-50? It depends on the artist. But on general, you put on like modern top 40 radio, yeah, a lot of that’s about sex.

Prisoners at 100%, if you look at Led Zeppelin’s catalog, right? Oh, Carol said, I’d be willing to bet even some church hymns are about sex. Oh, yeah. Yes.

Especially if you look at old church hymns. They were, they were like the line between religious ecstasy and sexual ecstasy. There’s a line.

(16:54 – 17:24)
So you can use storytelling, telling tales, to bond with people. The whole point of making up a story is to tell it to someone else, so that they can experience the story. Right? Right.

(17:25 – 23:08)
You don’t just make up a story and then keep it to yourself. You share the story. That’s the point of it.

Eventually, all stories need to be shared. They need to go out into the world. Think of it this way.

At least this is how I think about it. A well written story is the closest that we can functionally get, currently, to telepathy. I can take my words and my ideas and the things that I have visualized and imagined in my mind’s eye, and I can put them inside your head by telling you a story.

The process of reading, I heard it described one time or read it somewhere, as the process of reading is to stare at a flat surface made out of a dead tree and vividly hallucinate. Yes. Love that.

Poetry is how you get emotions into somebody else’s head. Art, visual art, is how you can get the exact thing that you saw into somebody else’s mind, with an accompanying emotional impact. The goal and point of the vast majority of art is to create an emotional reaction in the viewer.

You look at it and you feel something. That’s the whole point of it. Sometimes what you feel is vaguely irritated, because you look at it and you’re like, somebody duct taped a banana to the wall for 40 million dollars.

What the fuck? Right? You have- there’s an emotional reaction to that knowledge. Oh, that’s okay. Technically, yes, that is art, and it did do what art is supposed to do, but also it pissed me off.

Do you- do you- do you know how many people we could feed for that? Anyway, Giggleslut said, one piece of art I saw in a modern art museum was just a vacuum cleaner. Like nothing else, just a modern vacuum. Just sitting there.

Okay, was it actually a piece of art or did a janitor leave a vacuum cleaner sitting out? Because sometimes with modern art, it’s a little hard to tell. There was one piece of modern art that, oh my god, on the surface, you’re like, that’s really dumb. And then you know the story behind it, and all of a sudden it changes the story.

There was an artist who did a display where he, in the corner of a gallery, he put a pile of like 120 pounds, or almost 200 pounds, a button of candy, individually wrapped candy, just in a corner. And the thing was, people were supposed to come in and take a piece of candy, right? And it was a symbolic memorial to his lover who had recently died of AIDS. Hey Chrissy, welcome to the show tonight.

And it was in the taking of the candy, you take away a piece of sweetness, right, that came from him. Because it was, it started off the weight that he was when he was healthy. And then as he wasted away, every time you take a piece, you take some of the sweetness, you take some of the sugar of his life away with you.

And like, oh my god, like, I’m gonna start crying. Because that is, shit. That’s impactful.

Right? But it’s the story behind the art that makes it impactful. Because before then it was just, that’s a pile of candy. And what do I do with a pile of candy? That’s meaningless.

So the art is in the story behind the art, right? What does this mean? What did the artist intend for it to mean? What’s the symbolism of it? That’s where the meaning comes in. So there’s also, there’s an artist out there who, I forget his name. I could look it up.

But it was an artist who started making numbered limited edition urinals. And apparently he’d started making them, like they’re ceramic, unique, each one is handmade urinals. And the hilarious thing is, so he started making these for various galleries, because he was, they were pestering him.

We were like, we want your art, we want your art. And he’s like, get the fuck up off me. Fine.

Here, have a urinal. So on the one hand, it’s an artist who got very famous going, fuck you. Because he’s like, you want this because you think it has great resale value.

(23:09 – 25:19)
You want my art because you think you’re going to make money off of me. You know what? Fine, put a urinal in your gallery. There you go.

Each one was different. None of them are functional. None of them have drain holes in the right spot.

They’re all wrong. This is really fucking funny. So on the one hand, right, it evokes so many layers of emotion behind this ugly fucking handmade ceramic urinal.

Oh, Fountain by Marcel Duchamp. Yeah, that’s probably it. There’s so many of them.

And he says, look at the works of Banksy, right? So the point of art, all art, is to make you feel something. The point of a story is to put thoughts and feelings into your head. The point of visual art is to evoke an emotional response, sometimes to the story behind the art.

And sometimes it’s just the thing that you look at and you’re just like, wow, that’s so fucking gorgeous. Like the experience of seeing Michelangelo’s David, right? Like just that, that is art. Any of the great Renaissance artists who were sculpting in fine marble.

God, some of them. Holy shit. Amazing.

Like the Pieta, Percy Bysshe Shelley. Like there’s so many artists and so much art in the world that does blow your head off because it’s just so gorgeous. And he says, I legit don’t like David.

(25:19 – 25:24)
You’re not supposed to. That’s the fun part of it. You’re not supposed to like the David.

(25:25 – 26:29)
Most of the time, the pictures of it, like the head, are from straight on. The David’s like 18 feet tall. It’s enormous.

Which is, okay, Michelangelo, calm your calm your tits, sir. David was just a person who defeated a giant of a man. And so you make his sculpture a giant? Okay.

And it’s so that when you’re looking at it, you’re well below the standard eye line. You’re down around his knees, right? You’re in his thighs, looking up at David. David is supposed to be this monumental, like big, strong, manly man.

And from the point of view, from down on the ground, like the viewer’s point of view, looking up at him, it’s only from that point of view. If you look at his face head on, it’s harder to see. He just looks like he’s like concentrating.

(26:29 – 27:06)
If you look at him from down on the ground, he’s scared. The face changes. Mind blown.

Isn’t that mad? That’s so crazy. Prisoner says, in the Renaissance, the phrase was calmeth thine tits. So, okay, the structure of storytelling.

(27:07 – 29:08)
You absolutely do not ever have to have any adherence to any of the traditional story structures. The three-act play, very, very common in especially European descended art. And it’s because the three-act play, that’s from Aristotle.

Whoops. All right, well, Aelius Donatus in the fourth century AD first wrote about it, but Aristotle was writing about story structure before then. The three-act, there’s three sections to a play, and a lot of plays still do it.

The first act is the setup. They introduce everything. They tell you what’s going on.

You get all the background. The second act, there’s the confrontation. It’s the rising action begins in the second act.

It’s coming into, like the entire second act is building and building and building to the big, the big tense, the moment. The, sometimes it’s the turn, sometimes the conflict. Sometimes it’s the moment of confrontation where your protagonist and your antagonist, the protagonist moves the plot forward.

The antagonist is opposing the protagonist and trying to stop them from doing whatever it is that they’re trying to do. And there’s conflict is happening in the second act. And the third act is the resolution.

And sometimes the third act can be very, very short. Sometimes it’s very, very long, but the third act is the resolution. Comedians would say it climax.

(29:13 – 29:51)
So that’s the traditional European version. Prisoners of tradition, peer pressure from dead people. Yeah.

So there’s other types of story structure out there. Like there’s a bunch of different story structures. Most of the time you start your story, there’s an introduction, and then you slowly begin with rising action all the way up to a climax.

(29:52 – 29:56)
And then things calm back down again. And then you have your conclusion. Classic.

(29:57 – 30:08)
Classic. There’s Freytag’s pyramid, which is a way to describe that. Picture a pyramid.

(30:08 – 30:36)
There you go. Introduction rises up to the top, climax, and then the return or the fall back down into normal life and energy and everything. There’s the hero’s journey.

It’s much, much longer. It’s usually in a three-act thing. There is the ordinary world, the call to action or call to adventure.

(30:38 – 30:56)
Traditionally speaking, and this is coming from like Joseph Campbell, who wrote about the monomyth, which is the idea that all myths are just one myth and they all have the same pattern, the same structure to them. They don’t. Joseph Campbell was incorrect.

(30:56 – 31:40)
But he influenced an awful lot of people to think that this is the pattern for all stories. You start in the ordinary world, and then there’s the call. Your hero refuses the call and says, no, I’m not, I’m not going to do that.

And then they meet the mentor and then they’re convinced. They do the first thing. There are tests.

There are allies. They go within. They’re tormented by themselves or by the world around them.

They get a little bit of a reward. They keep on going. Eventually they begin to travel back to the ordinary world with the reward or with the thing that they have now managed to overcome.

(31:40 – 32:15)
They return to the ordinary world changed forever. Think Luke Skywalker. There’s various versions of that, various ideas and ways to visualize the, oh, hey, Tina.

Welcome. Various ways to visualize and think about the structure of the story. Yeah, Giggle said, the hero’s journey is like 12 steps, I think.

(32:20 – 35:24)
And then, and then she said, you evoke emotion by subverting the structure. You can either follow the structure or not. You don’t have to, because there’s other types of story structure.

There’s nonlinear story structures. Linear, nonlinear, interactive, and like, interreactive. There’s graphic narratives.

There’s, there’s so many. There’s so many different ways to structure a story. Different groups and cultures have different types of structure for their stories.

You can, if you look at Greek plays, they have the three-act structure, but they also have a meta structure that’s happening at the same time. A meeting man says, I like telling stories that make people giggle and sometimes pee. Well, see the key there is to hand out bottled water before you start telling the story, and then just go for a couple hours.

I mean, what? Who said that? So Greek stories have, oftentimes Greek plays have the three acts, but they also have a meta structure. They have the chorus, which is a group of people whose entire job is to stand on the stage and comment on the play. While it’s being acted.

They represent sometimes the muses, sometimes the gods, and sometimes they represent the audience. And honestly, I love the idea of a group of people whose job it is to tell the audience, that one was a joke. You should laugh.

Yeah. And he says the Halloween movie Trick or Treat, in the background of a tale, you may catch scenes of other tales that you may or may not have seen yet. I know I loved that.

That is a, that’s a complex story structure. They’re telling like four or five different stories at the same time. Hey, Atticus Renoir, welcome.

Love that. Oh, go, go work Miss Giggle Slut. Have fun.

(35:33 – 40:06)
So, okay. Erotic story structure. It’s always fun.

Oh, Pooh Viren said, I read a fictional book where the protagonists were split into three groups in different areas, and each chapter switched to a different group. It annoyed the fuck out of me. Sometimes people get a little bit fancy with their structure.

If you’re just starting out telling stories, keep it fucking simple. Go for the three acts. Introduction, rising to the climax or to the point of conflict, and then sum it up real quick.

Just simple, simple, until you’re good enough at telling a story that now you can start fucking around with weird structures. There are, I’m not even kidding, because there’s like, some cultures have stories that are structured to be like a riddle, and you have to figure out what it means. There are, you can look at Greek plays, you can look at Roman plays, they’re slightly different.

You can look at European plays, you can look at modern plays. Some of them are just real weird. Weird.

You can look at movies, the way that stories are structured. You can look at serial stories. So that would include things like entire television shows, like serial stories.

You can look at long form stories, look at, you want an example of a story that moves very, very quickly and yet extremely slow at the same time. Daytime soaps, you get an hour worth of story every single day, with long form plots that can take months or years to develop. But every day, the structure of the story is still in there.

And you still have within that one single hour every day, introduction, rising action, a climax, and then setting up for the next day story. It’s absolutely insane. Other people who write for those sorts of stories, holy crap.

There’s a reason why so many of them, you might think, oh, well, that’s really, really, you know, it’s a stereotype. It’s stereotypical, everything, everything, the committing man says until they get to the brain tumor, right? It’s a secret twin. Yeah.

And it’s not necessarily because, because that’s good storytelling. It’s just because eventually you’ve told all the other stories. Tina says Tarantino movies have sometimes a weird structure.

Yes. Sometimes there are some very odd structures. I like a lot of them.

I like weird structures, but it’s because I’m a nerd. And Poveron said I hated Tenet, but loved Memento. Christopher Nolan.

Okay. I remember going to see The Dark Knight in theaters opening weekend. So if you went and saw The Dark Knight in theaters opening weekend, think about other movies that came out at the same time and think about the structure of those stories.

This was, what year was this? 2008. Oh my God. That’s almost 20 years ago.

Yikes. Okay. So think about movies that were coming out around the same time, right? Let me see.

2008 movies. Incendiary. 21.

Cloverfield. Lazarus Project. Iron Man.

(40:07 – 42:38)
Indiana Jones and the Kingdom of the Crystal Skull. Hancock. WALL-E.

Kung Fu Panda. Twilight. Madagascar.

Escape to Africa. Quantum of Solace and Horton Hears a Who. Just to put that into perspective.

All those came out in the same year. So 2008. Christopher Nolan.

The Dark Knight. Remember how the movie opens? Dead fucking silence. It was awesome.

It was so cool. Camp Hoover and said, after having to write one fantasy a day for an entire month for Domina, I can respect the effort needed for writing a daily series like soap operas or late night TV. Yes.

Yes. I know. I just made everybody in the chat room feel very old.

I’m sorry. I just made me feel old. Like, oh, that was only, oh, that was, oh, that was a while.

Yikes. Eddie says, I’m currently reading Dungeon Crawler Carl. I’ve heard that that is a really good series.

So now I have to make a trip to the library and get Madagascar. This time construct thing is a meanie. Oh, right.

Oh, okay. So erotic stories, erotic stories. You don’t if you if you decide that you want to share dirty stories, you should.

Absolutely. If sharing stories and telling tales to one another is just human. And it is.

I think I’ve made this point in telling dirty stories to one another. It is extra human. That’s it’s a no brainer right there.

(42:41 – 43:23)
How many events is that didn’t make me feel old. I saw Star Wars when it came out. That’s even longer ago.

That’s like 50 years ago. So just to make you feel old, 50 years. It did not come out in 1977.

It came out in 1976. Because it came out in the centennial. The bicentennial year.

(43:24 – 43:35)
Come on, y’all. Mike dropped. And he said France was still chopping people’s heads off.

(43:36 – 44:12)
You know, but they still have that guillotine. Anyway. So erotic story structure.

Don’t get don’t get fancy with it. Don’t don’t do that. I mean, you can try.

But as an aficionado of lit erotica, the stories that attempt weird or experimental or just fucked up story structure. Like I’m not here looking for a Pulitzer. I’m not looking for good story.

(44:14 – 44:53)
You go to lit erotica for porn. You go to any of our blogs. And yes, I have been known to get a but for the most part, I don’t.

There is a structure that works and I do not fuck with it. Okay? Yes, the stories that I publish on my blog are PG-13. And it’s because we can’t post the truly triple X deluxe holy crap horn on our blogs because the payment processors throw hissy fits.

(44:54 – 45:25)
Like that. That’s the full reason. Capitalism.

Capitalism is why. But if I was going to, you can tell where I would be inserting the deep erotica. You look at any of the stories that I post on my blog, you know where the dirty stuff goes.

Because it’s where I leave the cliffhangers. And I would feel bad about that. But I’m a sadist and I think it’s funny.

(45:29 – 45:56)
See, Addie says I like the story aspect. Sex alone only goes to a certain point. Yes.

Okay, so erotic storytelling. If you decide you want to start writing dirty stories, stick with the three act structure. Take literally any situation that you can think of, or that you think, huh, well, that could be dirty.

(45:57 – 47:15)
Go for it. Absolutely. It does not have to be realistic.

Just because it’s so unlikely that if you go to the shoe store to try on shoes, it’s gonna just so happen to be this hot, young, sexy shoe salesman who’s gonna caress your feet and legs. And oh, it turns out he’s got a shoe fetish. He’s getting off on this.

No, he’s not. He is a fucking college co-ed who is probably worried about did he pass his engineering test. He doesn’t give a shit about shoes or you.

He is not getting off on this. Like, that’s not realistic, right? But in your fantasy? Fuck it. Sure.

Maybe you go there with your sissified husband and you make him kneel next to you in the shoe store and kiss your toes. Ooh, in between making him go get you shoes to try on. Yeah.

Fuck it. It’s your fucking story. It doesn’t have to be realistic.

(47:15 – 48:12)
If you can write a story where, like Alice in Wonderland, you fall through a rabbit hole and you come out in a weird world where if you eat the wrong side of a cupcake, you shrink. Okay, sure. Why the fuck not? Then you can have a sissified husband who kneels next to you in the fucking shoe store.

Introduce your characters, introduce your setting, and then start describing what happens next. Your goal should be and then. It’s like in improv, you’re continually playing yes.

And somebody says something and you’re like, yes. And so I go to the shoe store. Yes.

(48:12 – 50:22)
Yes. We go to the shoe store and there’s a hot older lady there who looks at you. Yes.

And then she dangles her shoe off of her toe. Ooh, yeah. Yes.

And you just keep doing that with elements of the story that are sexy to you. And this is also how you build a role play with your partner. Because remember, your story should be shared.

Don’t just keep it to yourself. Even if all you’re going to do is write this out and then put it on Letterotica or on your own personal blog to be like, here’s a fantasy that I had the other day. And it doesn’t have to be good.

Fuck it. Trust me, I have read some shitty writing. The only way to get really, really good at writing erotic stories is to write erotic stories.

They get better the more often you do them. So start by writing crap. And then eventually you will write better crap.

You also need to read a whole lot of crap. Like a lot, a lot of crap. That reading man says the devil is in the details too.

Yes, you don’t want to go too fast. You don’t want to go too slow. But it takes a little bit of practice and it takes reading a whole lot of stories for you to figure out what does it mean if a story moves too slowly.

My general rule of thumb for all erotica is whatever it is that you want to convey to your audience, you’re going to say it three times. You’re going to tell them what you’re going to do. This is when you’re into the actual sex part of your story.

I’m going to suck your dick. Right? And then you tell them what you are currently doing. I am sucking your dick.

(50:22 – 52:46)
Get descriptive with it. Get dirty with it. Get as far into the weeds of the details as you possibly want.

And then you tell them what you just did. So I’m going to. I am.

Look what I did. That was so fucking hot. For one thing, it makes it a little bit easier for you to, if you’re new to erotic roleplay or erotic storytelling or writing erotica, it gives you a way to think of every single plot point that lets you revisit things.

So you find something that works, you’re going to hit it three times. I’m going to do this. I am doing this.

I just did this. Whatever the three, whatever the thing is. And you just do that for everything, basically.

I’m going to suck your dick. I’m going to fuck you in the ass with a strap on. I’m going to bend you over and make you come untouched.

And then I’m going to put you in panties and turn you into a sissy. And then you describe doing all of those things. This is how I did this.

This is what I’m currently doing to you. And then at the end, you’re like, look at you now. Now you are a sissy.

Now you are wearing panties. You look so fucking cute. I bet your ass is sore because I fucked you in the ass.

Right? You revisit what you just did. If you want to get really, really good at dirty talk and talking to somebody about your fantasies and your sexual desires, for one thing, like step number one, go and listen to the fear, shame and guilt episode. Any of the times that I’ve talked about fear, shame and guilt.

And just put those emotions to one side. It requires intense vulnerability and intimacy to talk about your sexual needs and desires with your partners, to look them right in the face and say, this is what gets me off. You can’t do that if you’re ashamed of yourself.

(52:47 – 54:38)
Hey, B-money. I need to learn to make words good. And he said, I’ve tried it, but I tend to get mired in proper sentence and grammatical structure.

Yeah, fuck. Proper sentence and grammatical structure. Draft number one, get the words out.

It can be an outline. Just get it out there and then edit. But the bad draft, we love a bad draft.

Just get it out there. And then Poverin says, I would love to send you one of the erotic stories I wrote to get your opinion. You can send it.

I read a lot. I read a lot, a lot, like a lot. I’m addicted to the words, but then tell me like what kind of critique you would like, because there’s the critique of, you misspelled a word.

And then there’s the critique of whether or not the fantasy is structurally sound. Also, if you ever get very, very curious, you can check out the erotic audio store, the lesbian erotica story that’s in there. I wrote that story in my very young twenties.

(54:41 – 58:32)
That was my personal porn. I wrote that way before I started working with the Enchanted Exemplar. So it’s all porn.

And then I recorded it. I like hand wrote it in a journal, wrote it. Tina’s like, Link? Let me go find it.

It’s in here somewhere. It’s been up for a while too. There it is.

Lesbian erotica. Prisoner said, Stephen King said, writers should just write their stuff with incorrect spelling and grammar just to get the ideas on paper. Then they can go back and correct it.

Come Eating Man says, did you write it with one hand? Yeah. It’s a dirty, dirty, dirty story. Prisoner said, precursor to Naughty Modern Harper.

The roots were there. Always been dirty. So set aside shame when telling dirty stories or getting into dirty erotica.

Embrace the joy of yes and. Embrace the power of it doesn’t have to be good. The only way that you’re going to get good is by producing a whole lot of shit.

There’s an apocryphal story, which I, so I don’t know if it’s true or not, but there was a teacher who was teaching a bunch of people to, um, to throw pots and to make like clay pottery or some shit. And he split the class into half and one half, he said, all right, you, this half of the class is going to be graded on quality. I want you to produce just one pot, but it has to be perfect.

One perfect pot. The other half of the class is going to be graded on quantity. They don’t have to be perfect, but you got to make as many as you can.

Right. And by the end of the class, the quality side, they produced, you know, a pot. It was pretty okay, but it wasn’t perfect.

But the side that produced quantity, some of their pots were truly shit. The ones that they started at the beginning, but because they hadn’t been focused on do this one pot exactly perfect, but on do a whole bunch of pots by the time they were producing at the end of the class, because they’d been making so many pots, they were making good pots. They were making perfect pots.

So this applies to everything. This is a truism across all forms of human creativity and art. It will suck.

When you start, nobody starts out good. It is a learned skill. Writing a good story is a learned skill.

(58:32 – 58:57)
Sharing good erotica is a learned skill. It’s something that you have to practice and try to get really, really good at before you get really, really good at it. Tina says, did you write that for a girlfriend? I wrote it about a girlfriend.

(59:09 – 1:00:48)
Hooverin said he wanted story structure, hope and opinion, but editorial criticism is welcome. I can do that. Okay.

So Addy said, stop telling me to develop skills. So don’t use AI to try to share your dirty erotic stories, because that’s not your dirty erotic story now, is it? It’s an AI hallucination. It is a statistics machine that thinks, well, this is the word that’s most likely to come next.

I have yet to read a piece of erotica from AI that didn’t suck. Just straight up suck. Go, go look at my blog, Fetish Phone Sex Blog.

There’s the top two posts that are on there are both dirty stories. And yes, I had to leave off at the, at the climax right before we got into the dirty, dirty stuff. I know, boo.

There’s a, apparently the blog doesn’t want to load today. Thank you, Jits Head. Fetish Phone Sex Blog.com. Addy said, because you’re a meanie, because I’m trying to get people to call me to find out what happens next.

(1:00:49 – 1:02:23)
Although I left multiple story hooks in both of those stories for different directions they could go. One of them is a 1300 word story and the other one’s I think 800 words. And also because I’m a meanie.

Whoreschool is adult sex education. Check out my blog, Fetish Phone Sex Blog.com. You can also look at Whoreschool.net. That one has the episodes with transcripts and also we’ll let you know what next week’s episode is going to be. Ain’t I a stinker? There you go, Jits.

Thank you. She shared a Shy Sissy Submissive, which also is a story about AI with a twist because I am weird. And Wife of a Preacher Man, because I got a song stuck in my head and then I was like, you know what? I can make that perverted.

Thank you all for listening. Please remember don’t use fucking AI. And it’s okay if the art you produce is kind of shitty.

Who cares? It’s porn. Put shame to one side and stop holding yourself to a crazy standard. Everybody starts shitty.

(1:02:24 – 1:02:52)
It gets better as you go. That’s kind of the point. Thank you all for listening.

Drink water, wash your ass, wear a mask when you’re in public, stay away from strangers, and be good. I’ll see you all again next week. I forget what the topic’s going to be, but the blog will have it.

So good night, everybody.

 

Find the Whore School Schedule right here, and remember to join the Whore School discord for more memes, connection, and all the resources used by Ms Harper for the show. Whore School is adult sex education with no fear, no guilt, and no shame!